{"id":1359,"date":"2020-06-16T17:22:24","date_gmt":"2020-06-16T16:22:24","guid":{"rendered":"http:\/\/geofflevitus.com\/?page_id=1359"},"modified":"2023-09-19T14:15:16","modified_gmt":"2023-09-19T13:15:16","slug":"cv","status":"publish","type":"page","link":"https:\/\/geofflevitus.com\/index.php\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"

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Geoff Levitus<\/strong><\/h1>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#d6d6d6″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false”][et_pb_row _builder_version=”4.4.8″][et_pb_column type=”4_4″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ text_font=”Arial|700|||||||” text_font_size=”26px” background_color=”#d6d6d6″]<\/p>\n

CV<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#d6d6d6″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false”][et_pb_row _builder_version=”4.4.8″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ text_line_height=”1em”]<\/p>\n

<\/strong><\/p>\n

Qualifications.<\/strong><\/p>\n

Bachelor of Arts (BA), University of Sydney.<\/p>\n

Bachelor of Law (LLB), University of Sydney).<\/p>\n

Master of Visual Arts (MA – Vis Arts), City Art Institute, now UNSW Art & Design.<\/p>\n

 <\/p>\n

Solo Exhibitions.<\/strong><\/p>\n

2023\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘En qu\u00eate de r\u00e9ponses’, La Quincaillerie Galerie, Barjac, France.<\/p>\n

2022\u00a0 \u00a0 \u00a0 \u00a0 ‘ Voyages dans ma t\u00eate’, Salle Joseph Monier, Saint Quentin-la-Poterie, France.\u00a0 \u00a0<\/p>\n

2021 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Recent sculpture’, Salle Joseph Monier, Saint Quentin-la-Poterie, France.<\/p>\n

2020\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Nicely framed angst-ridden still lifes\u2019, Ultimo Project, Sydney.<\/p>\n

2019\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Two videos \u2013 installation, La MiNuit Blanche, Uz\u00e8s, France<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018A Foreigner\u2019s Glimpse\u2019, Stanley Street Gallery, Sydney.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Boat\u2019, installation, Barim, Gwangju, South Korea.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Four Videos\u2019, satellite event of Ooasa Art Festival, Kitahioshima-chou, Japan.<\/p>\n

2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Five Videos\u2019, Ultimo Project Space, Sydney.<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Forest of Memories\u2019, installation with Kristine McCarroll, Newspace Arts Foundation, Hue, Vietnam.<\/p>\n

2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Fragmentary Travels’, Galerie Marie-Laure de l’Ecotais, Paris.<\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Varese to Hanoi’, The Depot Gallery, Sydney.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Recent Work\u2019, Galerie Marie-Laure de l’Ecotais, Paris.<\/p>\n

2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Evoke\u2019, Mary Place Gallery, Sydney.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018The New England Suite\u2019, NERAM<\/p>\n

2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Island, Floating\u2019, Alliance Francaise, Sydney.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Mirage\u2019, John Miller Gallery, Newcastle.<\/p>\n

2002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Decadent Voyage\u2019, Cite Internationale des Arts, Paris.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Ile Seguin and other things\u2019, Galerie Etienne de Causans, Paris.<\/p>\n

2001\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Transitions\u2019, Grafton Regional Gallery<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018A Deep Well of Memory\u2019 (with Paul Miller), Manly Art Gallery & Museum.<\/p>\n

2000\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Place to Place\u2019, Orange Regional Gallery<\/p>\n

1999\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Recent Sculpture\u2019, New England Regional Art Museum (NERAM).<\/p>\n

1998\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place VII\u2019, Tin Sheds Gallery.<\/p>\n

1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place VI\u2019, Armidale Art Museum.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place VI\u2019, University of Southern Queensland Contemporary Art Gallery, Toowoomba.<\/p>\n

1993\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place IV; Two Journeys\u2019, University of New England Contemporary Art Gallery<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place V\u2019, Victor Mace Gallery, Brisbane.<\/p>\n

1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place II\u2019, James Harvey Gallery, Sydney.<\/p>\n

1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place III\u2019, Ben Grady Gallery, Canberra.<\/p>\n

1992\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Paradise Lost Again\u2019, Grafton Regional Gallery.<\/p>\n

1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Politics of the Interior\u2019, Lismore Regional Art Gallery (LRAG)..<\/p>\n

1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Out of Place\u2019, Ivan Dougherty Gallery, Sydney.<\/p>\n

1986 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Persona Non Grata\u2019, Lismore Regional Art Gallery (LRAG).<\/p>\n

1985\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Objects of Worship and Other Things\u2019, Hogarth Galleries, Sydney.<\/p>\n

1983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hogarth Galleries, Sydney.<\/p>\n

 <\/p>\n

Selected Group Exhibitions.<\/strong><\/p>\n

2020\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Promesses’, video installation,\u00a0 Ancien Ev\u00each\u00e9, Uz\u00e8s, France<\/p>\n

2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Making it UP\u2019, Ultimo Project Space.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Gwangju International Contemporary Art Exhibition, Gwangju Biennale Exhibition Hall, South Korea.<\/p>\n

2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018One Metre Max\u2019, Ultimo Project Space.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Juxtapositions\u2019, video installation, Seventh Gallery, Melbourne.<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Juxtapositions\u2019 with Kristine McCarroll and DocLab, Hanoi artists, video installation, Hanoi, Vietnam.<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Dream Nation \u2013 Personal meets Political\u2019, Ultimo Project Space.<\/p>\n

2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Art Upstairs\u2019, Orange Regional Gallery;<\/p>\n

\u2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Clouding the Issue\u2019, Ultimo Project Space.<\/p>\n

2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Salon Show\u2019, Ultimo Project Space, Sydney.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Controversy and Acclaim’, Mosman City Gallery, Sydney.<\/p>\n

2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Galerie Marie-Laure de l’Ecotais, Paris.<\/p>\n

2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Art House Gallery, Sydney<\/p>\n

2006\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Twenty\/20 Vision’, NSW Parliament House.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Philanthropy Rules OK’, Orange Regional Gallery.<\/p>\n

2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 ‘Watermarks’, Orange Regional Gallery.<\/p>\n

2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Keevil at Shapiro Galleries, Sydney.<\/p>\n

2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Love Your Work\u2019, Muse Gallery Ultimo;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018fifty\/50\u2019, New England Regional Art Museum, Armidale;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Peace\u2019, Manly Art Gallery & touring.<\/p>\n

2002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Blake Prize, SH Erwin Gallery, Sydney<\/p>\n

1999\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2019Jacaranda Drawing Award\u2019, Grafton Regional Gallery & touring.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Sculpture by the Sea\u2019, Sydney<\/p>\n

1998\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u201869 Sculptors\u2019, King St\u00a0 & Defiance Gallery.<\/p>\n

1997\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Landmarks – Contemporary Visions of the Australian Landscape\u2019, Campbelltown City Art Gallery<\/p>\n

1995\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Raise the Roof\u2019\u2019, Tin Sheds Gallery, University of Sydney.<\/p>\n

1994\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018fifty\/50\u2019, Armidale Art Museum.<\/p>\n

1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018The Doors\u2019, Gold Coast City Gallery.<\/p>\n

1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018New Art 1990\u2019, Bonython-Meadmore Gallery (BMG), Sydney.<\/p>\n

1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018New Art 1989\u2019, BMG, Adelaide.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Drawing the Line\u2019, Tweed River Regional Gallery.<\/p>\n

1988\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bonython-Meadmore Gallery (BMG), Sydney;<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Landmarks\u2019, Lismore Regional Art Gallery.<\/p>\n

1987\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ivan Dougherty Gallery, Sydney.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sulman Prize, Art Gallery of NSW<\/p>\n

1986\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2018Interior Landscapes\u2019, Grafton Regional Gallery.<\/p>\n

1984\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Solander Galleries, Canberra.<\/p>\n

1983\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sulman Prize, Art Gallery of NSW<\/p>\n

1982 – 84 Hogarth Galleries, Sydney.<\/p>\n

 <\/p>\n

Residencies and Awards <\/strong><\/p>\n

2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Residency, Left Bank, Phnom Penh, Cambodia.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Residency, Chula, Hoi An, Vietnam.<\/p>\n

2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Residency, Barim, Gwangju, South Korea.<\/p>\n

2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Artist-in-residence, Trinity Grammar School, Sydney.<\/p>\n

2012-13\u00a0\u00a0 Residency\/workshop, DocLab, Hanoi, Vietnam<\/p>\n

2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Residency, Newspace Arts Foundation, Hue, Vietnam.<\/p>\n

2005, 2007, 2009\u00a0\u00a0 Cite Internationale des Arts, Paris.<\/p>\n

2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Studio Residency, New England Regional Art Museum, Armidale.<\/p>\n

2002\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Power Studio, Cite Internationale des Arts, Paris.<\/p>\n

1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 North Coast National Art Prize<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jacaranda Drawing Prize<\/p>\n

1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trinity Art Prize<\/p>\n

1990\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Southern Cross Art Prize<\/p>\n

1989\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jacaranda Art Prize<\/p>\n

1985\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Mosman Art Prize<\/p>\n

1985\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Macquarie Ports Art Prize<\/p>\n

 <\/p>\n

Collections. <\/strong><\/p>\n

Trinity Grammar School Sydney, Mosman Shire Council, Windsor Shire Council, Trinity Catholic College, Grafton<\/p>\n

Regional Gallery, Lismore Regional Art Gallery, Southern Cross University, Artbank, Canberra University, Westfield<\/p>\n

Collection, Kim Bonython Collection, New England Regional Art Museum, University of Sydney, Orange Regional Gallery.<\/p>\n

 <\/p>\n

Citations.<\/strong><\/p>\n

Benjamin Alan, ‘Uncovering the layers of meaning’, introductory essay for book ‘Geoff Levitus, Sculpture 2019-21, August 2020.<\/p>\n

\u2019Geoff Levitus, A Foreigner\u2019s Glimpse\u2019, catalogue essay by Therese Kenyon,16 June 2016<\/p>\n

Geoff Levitus, A Foreigner\u2019s Glimpse\u2019, Artist Profile online review, 7 July 2016.<\/p>\n

\u2018Traveller glimpses behind the surface\u2019, Inner West Courier, 12 July 2016.<\/p>\n

Eastside Radio interview at http:\/\/eastsidefm.org\/artsfriday\/<\/a> beginning at 29.40, 22 July 2016.<\/p>\n

\u2019International Artists Showcase\u2019, in Barim Archive 2015, published by Barim, Gwangju, South Korea, 2015.<\/p>\n

Van Than, Tuoi Tre (Hue Newspaper) 5 April 2011.<\/p>\n

Bich Ngoc, \u2018Fruit of the Forest\u2019, Time Out, Hanoi, p.12, 11-17 April, 2011.<\/p>\n

La Gazette de l’Hotel Drouot, France, March 2009.<\/p>\n

Alan Benjamin, ‘Seduction and Critique’ in ‘Fragmentary Travels’, Hanoi 2008.<\/p>\n

La Gazette de l’Hotel Drouot, France, No. 36, Octobre 2007.<\/p>\n

Arts Gazette Internationale, France No. 564, November 2007.<\/p>\n

Alan Sisley, ‘Geoff Levitus, The Ephemeral’, 2006.<\/p>\n

Art Almanac, March 2006.<\/p>\n

SBS Radio interview for \u2018Island, Floating\u2019, 4 Feb 2003.<\/p>\n

\u2018Recollection\u2019, Grafton, Lismore & Tweed River Regional Galleries, 2003.<\/p>\n

Alan Sisley, \u2018A Deep Well of Memory\u2019, Manly Art Gallery & Museum, August 2001<\/p>\n

Alan Sisley, \u2018Images of Dislocation and Transience\u2019, cat. essay for \u2018Transitions\u2019, Grafton RG, May 2001.<\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#d1d1d1″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false”][et_pb_row _builder_version=”4.4.8″][et_pb_column type=”4_4″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ text_font=”Arial|700|||||||” text_font_size=”32px” header_font=”Arial||||||||” header_font_size=”94px” header_letter_spacing=”5px” background_color=”#d1d1d1″ header_font_size_tablet=”” header_font_size_phone=”70px” header_font_size_last_edited=”on|phone” text_text_shadow_style=”preset1″ text_text_shadow_blur_strength=”0.11em” text_text_shadow_color=”#727272″] Geoff Levitus [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#d6d6d6″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false”][et_pb_row _builder_version=”4.4.8″][et_pb_column type=”4_4″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ text_font=”Arial|700|||||||” text_font_size=”26px” background_color=”#d6d6d6″] CV [\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.4.8″ background_color=”#d6d6d6″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false”][et_pb_row _builder_version=”4.4.8″ custom_margin=”0px||||false|false” custom_padding=”0px||||false|false”][et_pb_column type=”4_4″ _builder_version=”4.4.8″][et_pb_text _builder_version=”4.4.8″ text_line_height=”1em”] Qualifications. Bachelor of Arts […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"class_list":["post-1359","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/pages\/1359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/comments?post=1359"}],"version-history":[{"count":15,"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/pages\/1359\/revisions"}],"predecessor-version":[{"id":1862,"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/pages\/1359\/revisions\/1862"}],"wp:attachment":[{"href":"https:\/\/geofflevitus.com\/index.php\/wp-json\/wp\/v2\/media?parent=1359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}